These are the nine cellos I'm playing with as part of the Hear me Roar Festival in Lancaster. Obviously I'm not playing a cello, I'm playing my voice. Maja Brugge, composer of the piece and initiator of the performance, asked me if I'd be interested in delivering the words of her cello students about why and how they play the cellos in accompaniment to nine cellos. I had met her once before - at a gig where she played alongside Steve Lewis and I'd read. We'd liked each other's style, delivery but knew nothing more about each other. I say nothing, but I enjoy how much we are able to pick up about people by such simple things. Besides who could say no to the chance of performing with nine cellos?
We met once to talk over the text, she sent me clips of the music we would have one rehearsal with all celloists and me - which was today. The text is a seemingly simple arrangement of words from her students about their thoughts towards the cello, why they play, what they find difficult about playing and what they love about playing. While the register is the same for all the voices, they are clearly from different people and I enjoy slipping in and out of all those viewpoints personas, trying to ensure they sound distinct, that they are not me, that they are real voices.
Some of the piece I speak solo, at other times with Maja on solo and at others in dialogue with each player. While Maja wanted a non-actor to deliver the work - to ensure a low key delivery to the words - she also wanted some sympathy and rhythmic accordance between voice and cello. Today we spent what little time we had feeling that space and pulse that exists between each of us, exploring how much space we can give to the cello, to the voice and to the piece as a whole. There is a lot of information in the piece: verbal, musical and rhythmical and how to convey all that in a gentle yet absolute way was both fun and intense.
What I love about the cello is its depth of sound. I don't know if it is because it is larger, and yet contained by. the torso that its music seems to resonant in mine, swell my ribs, heave breath and impress its rhythm upon me. It felt absolutely impossible not to respond to the music in my own intonations, to feel the strings, the bow and wood in my diaphragm and work them accordingly to the music and text.
It is a fragile piece, as Maja beautifully described. One that has been made from the experience of all these players and is still being made and will be made further next week. There are simple refrains, improvisations, ensemble sections, discordance and sublimity. It was a delight to be part of it today and I'm really looking forward to making it again next week. I know it'll be over too quickly and will relish every draw of bow and breath and thrum of strings and fingers for the performance.
The ensemble is Maja Bugge, Anna Brigham, Ella Cornwall, Emily Dale, Veronica Dunne, Caroline Lovett, Rosie Lyon, Bev Paddon, Whitney Rawlins and Angie Whitaker. The performance is in the Music Room, Storey Institute, Meeting House Lane, Lancaster, Wednesday 9th March, 7pm.